« My approach to dance and choreography is based on listening to the different connections that exist between the spirit and the body. This is the natural kinetic process whereby our inner landscape translates into electric impulses that transmit to the muscles the information as to how and with what quality to move. » -Margie Gillis
1. MASTER CLASSES FOR STUDENTS AND DANCE PROFESSIONALS
Length: 1 to 2 hours
This master class is designed to encourage the dancer to rediscover the wisdom of the body as well as to reconnect with the curiosity and awe that initiate and inspire movement. The work in class strives to increase openness for continued
experimentation, exploration and understanding through movement. The dancer is sensitized to the links between his/her thoughts, emotions and body. Emphasis is on observing the natural kinetic process: how our “inner landscape”, generated by electric impulses, is expressed in the muscles through movement.
2. DANCING FROM THE INSITE OUT WORKSHOP
Length: from 2 hours to 2 weeks – upon request.
According to the level of the group, whether professional dancers or amateurs. The subjects explored may include:
- Dancing from the inside out by listening to the body’s intelligence, the body’s soul;
- Relating to sound, relating to music;
- Creating movement, dance, ritual;
- The choreographer-dancer-public relationship: points of view and interrelations;
- Using architecture and space;
- The link between an idea and its manifestation;
- Relating to the basic concepts in dance: line, form, articulation, balance, position, etc.;
- Relating to qualities and textures: fluidity, rigidity, strength, softness;
- Neuromuscular responses to emotions, colors, ideas, and their embodiment;
- Health/the neuromuscular system: listening to the body (support techniques for health, troubleshooting, injury prevention, and convalescence);
- Art, passion, performance techniques (with support for individual or group challenges);
- Risk-taking dynamics: yes, no, how, and safety;
- Responsibility towards and for creativity: freedom, art, self, and the audience;
- Putting to work the body’s intelligence;
- Simplicity as a principle for creativity and health;
- The creator as listener.
Length: 20 minutes to 1 hour
Margie Gillis’ artistic and pedagogic approach is articulated around the concept of dancing from the inside out. In her conferences, she details the different facets of this notion for all types of audiences: amateurs, dance and health professionals, students, actors, etc. An exchange with the audience usually develops, ending with a Questions and Answers period.
5. CLASSES FOR NON-DANCERS
Length: 90 minutes
Adapted for non-professionals who are interested in movement, this format provides an opportunity for participants to develop an awareness of their potential through « dancing from the inside out ». Through use of “games” and choreographic motifs, the learning process is playful and stimulating.